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	The Swarmandal (Indian harp) is an Indian zither that is today most commonly used as an accompanying instrument for vocal Hindustani Classical music (the classical music of North India, Pakistan, and Bangladesh). The name combines swara (notes) andmandal (group), representing its ability to produce a large number of notes; it is also known popularly as Sur-mandal. Swarmandals measure from twenty four to thirty inches in length and twelve to fifteen inches in width. The singer may choose to employ any number of strings from 21 to 36. The strings are hooked in a nail lodged in the right edge of swar-mandal and on the left they twirl around rectangular pegs which can be tightened with a special key. Wooden pegs were used instead of metal ones in the medieval period. A sharp half-inch ridge is built on both sides of swar-mandal a little apart from the nails on which the strings are tightened. This ridge functions as bridge on both sides.
It is similar to the autoharp or zither in many respects. It is similar to an instrument from Iran, and has been used for many generations, dating back to the Mughal era. Some of the vocalists who have used this instrument extensively are Ustad Bade Ghulam Ali Khan (1902–1968), Ustad Salamat Ali Khan (1934–2003) [1] and Pandit Jasraj (b 1930).